Extended Chords in Four-Part Harmony - Music Composition

Extended Chords in Four-Part Harmony - Music Composition

Assessment

Interactive Video

Performing Arts

10th - 12th Grade

Hard

Created by

Quizizz Content

FREE Resource

The video tutorial explains how to use extended chords in four-part harmony. It covers the basics of building extended chords by adding thirds and discusses the dissonance that can occur with these chords. The tutorial also provides guidance on which notes to omit to clean up the sound and how to apply extended chords in harmony, particularly focusing on the dominant and subdominant chords.

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10 questions

Show all answers

1.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What is the primary method for forming extended chords?

Adding a fourth and a sixth above each note

Building chords in thirds

Using only the root and fifth

Stacking notes in seconds

2.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

Why do musicians often omit certain notes in extended chords?

To make the chord sound more dissonant

To simplify the chord for beginners

To make the chord easier to play on the piano

To clean up the sound and reduce dissonance

3.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

In four-part harmony, which note is typically omitted in a 7th chord?

The root

The third

The fifth

The seventh

4.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What is a common progression involving a 5-7 chord?

5-7 to 2

5-7 to 1

5-7 to 4

5-7 to 3

5.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What is the effect of adding a chromatic 9th to a dominant chord in a major key?

It simplifies the chord

It adds a cheeky bit of color

It removes the need for a 7th

It makes the chord sound more consonant

6.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

When extending a dominant chord to a 13th, which notes are typically omitted?

The root and the 7th

The 11th and the 13th

The 5th and the 9th

The 3rd and the 5th

7.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What is a secondary dominant?

A chord that resolves to the tonic

A dominant chord in a parallel key

A temporary dominant chord in a different key

A chord that omits the root

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