
AP Art History
Authored by John Robinson
Social Studies
9th Grade

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15 questions
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1.
MULTIPLE CHOICE QUESTION
1 min • 5 pts
Archaeological evidence indicates that the superimposed animal forms in the Great Hall of the Bulls at Lascaux represent
the artist’s use of atmospheric perspective
a narrative about mythological creatures
humans’ domestication of herds of local fauna
different artists’ depictions over time
2.
MULTIPLE CHOICE QUESTION
1 min • 5 pts
The work shown can be identified as an ancient Sumerian sculpture because of which of the following visual characteristics?
Rigid frontality with clasped hands
Truncated body with naturalistic facial features
Ideal male form with wide, staring eyes
Contrapposto pose inscribed with cuneiform
3.
MULTIPLE CHOICE QUESTION
1 min • 5 pts
In the Egyptian stele shown, the imagery is organized in which of the following ways?
As a diptych framed by an outline
As composite figures placed in registers
As a continuous narrative displayed in columns
As multiple scenes presented in one-point perspective
4.
MULTIPLE CHOICE QUESTION
1 min • 5 pts
The relief shown can be attributed to the Amarna period in Egypt based on which of the following typical characteristics?
The depiction of Hatshepsut with the attributes of a male pharaoh
The use of hierarchical scale to distinguish the ruler from conquered peoples
The use of wet drapery to emphasize the sculptor's natural rendering of the body
The depiction of the deified Aten as a sun disk with diagonal rays
5.
MULTIPLE CHOICE QUESTION
1 min • 5 pts
The type of work is called a
palette
stele
obelisk
pylon
6.
MULTIPLE CHOICE QUESTION
1 min • 5 pts
The form of the columns in the hypostyle hall was intended to recall the
dense clusters of papyrus reeds on the Nile
statuesque figures of the pharaoh and his family
palm trees that grow near desert oases
celestial rays that emanate from the crown of Amun-Re
7.
MULTIPLE CHOICE QUESTION
1 min • 5 pts
A pharaoh progressing through the temple complex was intended to encounter
spaces arranged at oblique angles, which culminated in a majestic, light-filled foyer
spaces that were increasingly dark and mysterious, leading to the inner sanctum housing the cult statue
a series of open courtyards and halls illuminated with clerestory windows that led to the pharaoh’s throne room
narrow, serpentine walkways that mimicked the flow of the Nile River, terminating at a sacred pool
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