Grade 10

This action gives the illusion of weight and volume to a character as it moves.

• ANTICIPATION

• SQUASH AND STRETCH

• SQUASH AND STRETH

• SQUASH

This movement prepares the audience for a major action the character is about to perform, such as, starting to run, jump or change expression.

• STAGING

• ANTICIPATION

• ANTICIPATON

• SQUASH AND STRETCH

A pose or action should clearly communicate to the audience the attitude, mood, reaction or idea of the character as it relates to the story and continuity of the story line.

• STRAIGHT AHEAD AND POSE TO POSE ANIMATION

• STAGE

• STAGING

• ANTICIPATION

When the main body of the character stops all other parts continue to catch up to the main mass of the character, such as arms, long hair, clothing, coat tails or a dress, floppy ears or a long tail (these follow the path of action).

• STRAIGHT AHEAD AND POSE TO POSE ANIMATION

• STAGING

• FOLLOW THROUGH AND OVERLAPPING ACTION

• AGING

You can lose size, volume, and proportions with this method, but it does have spontaneity and freshness. Fast, wild action scenes are done this way.

• STRAIGHT AHEAD AND POSE TO POSE ANIMATION

• STAGING

• SLOW-OUT AND SLOW-IN

• SECONDARY ACTION

What is the second POSE TO POSE VOCABULARY?

• KEYSTONEs

• KEYS

• EXTERMES

What is the 1st POSE TO POSE VOCABULARY?

• EXTREMES

• KIYS

• KEYS

• BREAKDOWNS

The 3rd POSE TO POSE VOCABULARY

• EXTREMES

• BRAKEDOWNS

• BREAKDOWS

• BREAKDOWNS

As action starts, we have more drawings near the starting pose, one or two in the middle, and more drawings near the next pose.

• FOLLOW THROUGH AND OVERLAPPING ACTION

• ANTICIPATION

• SLOW-OUT AND SLOW-IN

• STAGING

WHAT IS THE FULLNAME OF YOUR ICT TEACHER?

• LEESTER JONES M. BAANG

• LESTHER JONES M. BAANG

• LEESTHER JONAS M. BAANG

• LEESTHER JONES M. BAANG