
Stanislavski Key Terms quiz
Authored by Steve Bates
Performing Arts
10th - 12th Grade
Used 25+ times

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13 questions
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1.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What is the term for: the events leading up to the start of the play, or before each new entrance your character makes?
Super objective
Magic If
Given circumstances
Before Time
2.
FILL IN THE BLANK QUESTION
1 min • 1 pt
What do we mean by a character's 'objective'?
3.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What do we mean by 'given circumstances'?
what influences our thoughts and actions without our being aware of it.
the situation the character is in within a particular bit of the play.
what we do to achieve what we want
the thoughts going through our character's mind
4.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
(In Stanislavski's system) what is an 'action'?
a technique to make the actor feel relaxed on stage
the theme of the play; what the play is really about.
what we do to achieve what we want
an acrobatic or dynamic movement on stage
5.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What do we call something that prevents us getting what we want (and achieving our objective)?
A challenge
An obstacle
An action
A boost
6.
MULTIPLE CHOICE QUESTION
45 sec • 1 pt
What is the Magic If?
the hidden or underlying meaning of something
the desired state for an actor, physically ready and free from tension, which can be used to create and experience a role.
the theme of the play; what the play is really about.
the question the actor asks themselves to trigger the imagination within a given set of circumstances.
7.
MULTIPLE CHOICE QUESTION
1 min • 1 pt
What is 'the circle of attention'?
a ray of energy passed between performers to communicate without words.
a technique to find a real past experience with a similar emotion to that demanded by the role being played, and 'borrow' those feelings to bring the role to life.
a technique to make the actor feel relaxed on stage, to help the actor focus on something on stage and to shift his or her awareness from the audience.
performing in-the-round, with audience on all sides of the stage
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