TED: An art made of trust, vulnerability and connection | Marina Abramovic

The transcript discusses performance art, highlighting a 1974 piece involving audience interaction with objects of pleasure and pain. It contrasts performance art with theater, emphasizing real-time experiences. The speaker shares personal experiences, collaborations, and significant performances like 'Balkan Baroque' and a MoMa exhibit. The concept of an institute for immaterial performing arts is introduced, focusing on personal change and the importance of failure.

Describe the objects that were placed on the table during the performance.

What instructions were given to the audience regarding the use of the objects?

What was the initial reaction of the audience when the performance began?

How did the performance evolve over the six hours?

What was the purpose of the performance titled 'Balkan Baroque'?

What significant change did the performer notice in herself after the performance?

Explain the concept of immaterial performing arts as described by the performer.

What activities were participants expected to engage in at the institute?

How does the performer suggest individuals can create personal change?

What was the significance of the two-minute eye contact exercise?