CLEAN : In Turkey worried artists ponder an uncertain future

The transcript discusses the challenges facing cultural production and institutions, highlighting issues like audience changes and cancellations. It delves into self-censorship and institutional censorship in the arts, providing a historical context and current state of cultural programs. The speaker suggests a monastic approach to work, focusing on introverted research and idea development to adapt to the changing environment.

Discuss the implications of the statement that exhibitions go on as they are on public programs.

What does the speaker mean by saying that nothing has really changed in terms of public programs?