Elaborating an Upper Voice When Using an Ascending Bass Scale - Music Composition

The video tutorial explores techniques for harmonizing an ascending scale in the bass. It highlights the challenges of using consecutive fifths and octaves and suggests using thirds for a more pleasant sound. The tutorial explains how to select chords, emphasizing the use of first inversion chords to avoid parallels. It introduces chains of 7-6 suspensions to add interest and intensity to the harmonization. The tutorial concludes by encouraging the application of these techniques to create more melodically interesting harmonizations.

What are the dangers of harmonizing an ascending scale in the bass?

How can you make an ascending scale sound interesting when harmonizing?

What is the significance of using thirds in harmonization?

What is the role of the upper part when harmonizing with the bass?

What are the two chords that can fit with the notes C and E?

Describe the process of harmonizing the scale of C major.

How do first inversion chords help in avoiding parallels or consecutives?

Explain the concept of PSR in the context of suspensions.

What does a 7-6 suspension entail in musical terms?

How can chains of suspensions enhance a musical piece?