Spring 3

The transcript discusses Vivaldi's concertos, focusing on the blend of real and imaginary elements. It highlights a pastoral dance in triple time, familiar to Vivaldi's audience, and explores the use of imagery and allegory, such as nymphs and bagpipes, to create a timeless and contemporary world.

In what ways does the speaker suggest Vivaldi's music is both real and imagined?

What imagery does the speaker find intriguing in Vivaldi's work?