Renee Fleming on Her Broadway Turn in Carousel

The transcript discusses the transition from opera to Broadway, highlighting the excitement of trying new things. It compares the performance schedules and vocal demands of both art forms, noting the increased strain of performing eight shows a week on Broadway. The conversation also covers the use of amplification in Broadway, contrasting it with opera's reliance on natural vocal projection. The unique training and powerful vocal qualities of opera singers are emphasized, showcasing the distinctiveness of the art form.

What challenges does performing eight shows a week present for a singer?

Why is amplification not allowed in opera performances?