Poor Unfortunate Theater: Crash Course Theater #48

The video explores two transformative theater models: Jerzy Grotowski's Poor Theater and Augusto Boal's Theater of the Oppressed. Grotowski's approach focuses on personal discovery and ritualistic elements, eliminating theatrical conventions to emphasize the actor's body and presence. Boal's method empowers audiences to engage in social change through participatory theater, encouraging them to become 'spect-actors' and propose solutions to social issues. Both models aim to break down barriers between actors and audiences, though they differ in their ultimate goals: Grotowski seeks self-knowledge, while Boal pursues social justice.

What are the two different models of radical transformative theater discussed in the text?

Describe the main focus of Jerzy Grotowski's Poor Theater.

How does Grotowski's approach to theater differ from traditional rich theater?

What is the significance of the audience's role in Grotowski's productions?

What themes are explored in Grotowski's production 'Akropolis'?

Discuss the impact of Paulo Freire's pedagogy on Augusto Boal's work.

Explain the concept of the 'spect-actor' as introduced by Augusto Boal.

What are the main characteristics of forum theater?

What was the outcome of Boal's participatory theater practices in relation to Brazil's military regime?

How did Grotowski and Boal's views on theater differ?