CLEAN : In Turkey worried artists ponder an uncertain future

The transcript discusses the challenges facing cultural production and institutions, highlighting issues like audience changes and cancellations. It delves into self-censorship and institutional censorship in the arts, providing a historical context and current state of cultural programs. The speaker suggests a monastic approach to work, focusing on introverted research and idea development to adapt to the changing environment.

What is one of the major challenges currently facing cultural production and public institutions?

• Increased funding

• Audience growth

• Program cancellations

• Technological advancements

What has been a long-standing issue for artists and institutions?

• Lack of creativity

• Overproduction

• Technological dependency

• Self-censorship

How does the speaker describe the current state of exhibitions and public programs?

• They have doubled in frequency

• They continue as usual

• They have completely stopped

• They are only online

What does working like a monastery involve according to the speaker?

• Increasing social media presence

• Expanding international collaborations

• Focusing on public events

• Conducting more research

What is the purpose of developing new ideas in a monastic approach?

• To immediately implement them

• To protect and eventually share them

• To sell them to other institutions

• To keep them secret indefinitely