Four-Part Harmony from a Bass Line - Music Composition

The video tutorial explores the concept of harmonizing from a baseline, emphasizing the importance of understanding chord selection and the historical context of Baroque music. It discusses the process of choosing chords for a baseline in E flat major, considering passing notes and chords, and creating a melodic line that complements the harmony. The tutorial highlights the significance of contrapuntal motion and the balance between melody and harmony.

What is the primary focus of harmonizing from a baseline?

• Ignoring the bass line entirely

• Building harmony from the top down

• Creating a melody from scratch

• Developing harmony from the bass upwards

What historical period is associated with the development of major and minor tonality?

• Classical

• Romantic

• Medieval

• Baroque

In the context of E flat major, which chord is likely to be used for the first note of the baseline?

• Chord I

• Chord VI

• Chord IV

• Chord V

What is a passing 6/4 chord used for?

• To replace the tonic chord

• To emphasize the melody

• To transition smoothly between chords

• To create a dissonant sound

Which chord is often used as a replacement for the five in second inversion?

• Chord II in root position

• Chord VII in first inversion

• Chord IV in second inversion

• Chord I in root position

What is the benefit of using contrary motion between the melody and the bass?

• It emphasizes the bass line

• It simplifies the harmonic structure

• It helps avoid parallels and consecutives

• It creates a more complex harmony

What is a common melodic movement when the baseline moves 1-2-3?

• The melody moves 2-3-4

• The melody moves 1-2-3

• The melody remains static

• The melody moves 3-2-1

Why is it important to maintain stability in the inner voices?

• To create a cohesive harmonic structure

• To allow for more disjunct movement

• To ensure the bass line is prominent

• To make the melody more interesting

What is the role of a suspension in harmony?

• To emphasize the bass line

• To resolve tension by step

• To add rhythmic complexity

• To create a dissonant interval

What should be avoided when doubling notes in harmony?

• Doubling the root

• Doubling the bass

• Doubling the fifth

• Doubling a major third