The Best Chords to Follow Chord V (in Minor Keys) - Music Composition

The Best Chords to Follow Chord V (in Minor Keys) - Music Composition

Assessment

Interactive Video

Performing Arts

10th - 12th Grade

Hard

Created by

Quizizz Content

FREE Resource

The video tutorial explores the use of Chord 5 in minor keys, emphasizing its importance in chord progressions. It discusses the harmonic minor scale and chord inversions, providing insights into different conventions. The tutorial presents various progression options from Chord 5, encouraging exploration beyond typical patterns to enhance musical variety.

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10 questions

Show all answers

1.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

Why is Chord 5 considered significant in a minor key?

It is the weakest chord in the hierarchy.

It is the least used chord.

It has a strong pull to the tonic chord.

It is only used in major keys.

2.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What scale is primarily used for writing harmony since the 1600s?

Melodic minor scale

Natural minor scale

Harmonic minor scale

Major scale

3.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

In the ABC convention for chord inversions, what does 'B' represent?

Root position

First inversion

Second inversion

Third inversion

4.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

Which progression is considered the most obvious starting from Chord 5?

5 to 4

5 to 6

5 to 3

5 to 1

5.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

Why might Chord 2 in a minor key be placed in first inversion?

To make it louder

To make it sound more dissonant

To highlight the tritone

To mellow the chord and smooth the bassline

6.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What is a characteristic of the progression 5 to 2B to 3 to 7B to 1?

It uses only root position chords.

It maintains a scale-like movement in the bass.

It avoids using any diminished chords.

It is a common progression in major keys.

7.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What is a potential issue when moving from Chord 5 to Chord 4?

It creates a weak progression.

It can lead to parallel octaves and fifths.

It is too conventional.

It is not allowed in minor keys.

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