Pre-Columbian Theater, Spanish Empire, and Sor Juana: Crash Course Theater #22

The video explores the history of theater in the Americas, starting with pre-Columbian performances and the impact of Spanish colonization. It highlights the forced conversion of Indigenous peoples and the use of theater for religious propaganda. The focus then shifts to Sor Juana Inés de la Cruz, a prominent figure in the Spanish Golden Age, known for her feminist writings and plays. Her work, 'The Loa of the Divine Narcissus,' is analyzed for its cultural critique and incorporation of Indigenous elements.

What was a key characteristic of Pre-Columbian Theater in Central America?

• It was influenced by Greek mythology.

• It focused on political themes.

• It involved elaborate costumes and rituals.

• It was primarily secular.

How did the Spanish use theater after their arrival in the Americas?

• To spread religious and imperial propaganda.

• To promote Indigenous cultural practices.

• To entertain the Indigenous peoples.

• To teach European languages.

What was the role of Alonso Ponce in documenting theater in the Americas?

• He was a playwright who wrote about Indigenous cultures.

• He was a critic who reviewed Spanish plays.

• He was a missionary who documented performances in convents.

• He was an actor who performed in Indigenous plays.

What significant change occurred in Mexican theater by the end of the 16th century?

• Theater focused solely on secular themes.

• Spanish became the dominant language of theater.

• Indigenous languages became the dominant language of theater.

• Theater was banned by the Spanish authorities.

What was Sor Juana Inés de la Cruz known for in the context of theater?

• She was the first female theater director in Mexico.

• She wrote numerous plays and was a prominent figure in the Spanish Golden Age.

• She was a famous actress in the Spanish court.

• She introduced Greek tragedies to Mexican theater.

Why did Sor Juana choose to become a nun?

• To travel to Europe.

• To become a famous playwright.

• To escape from her family.

• To pursue an intellectual life without the constraints of marriage.

What is the main theme of 'The Loa of the Divine Narcissus'?

• The importance of Greek mythology.

• The life of Sor Juana Inés de la Cruz.

• The critique of colonial rule and forced conversion.

• The celebration of Indigenous rituals.

How does 'The Loa of the Divine Narcissus' treat Indigenous characters?

• As villains of the story.

• As comic relief.

• With dignity and respect.

• As savages needing conversion.

What unique element does Sor Juana incorporate in her play 'The Loa of the Divine Narcissus'?

• A narrative centered on Spanish royalty.

• A critique of Greek mythology.

• A focus on European dance styles.

• Inclusion of Indigenous dance and music.

What was the significance of the Tocotin in Sor Juana's play?

• It was a religious ceremony introduced by the Spanish.

• It was a European dance style.

• It was a comedic element in the play.

• It was a form of Indigenous dance that was preserved.