Why There's Only One Way to Resolve a Flat II Chord - Music Theory

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9th - 10th Grade
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Hard
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7 questions
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1.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What is the primary difference between forming a Neapolitan chord in a major key versus a minor key?
The fifth note is raised in a minor key.
The second degree of the scale is lowered in both keys.
The third note is lowered in a minor key.
The root note is raised in a major key.
2.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
Why is the Neapolitan chord often used in first inversion?
It creates a more stable root position.
It avoids the awkwardness of a tritone in the bass.
It enhances the melody with a higher pitch.
It simplifies the harmonic progression.
3.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What is the benefit of using chord one in second inversion before moving to the dominant chord?
It introduces a new key signature.
It emphasizes the root note of the dominant chord.
It creates a smoother transition by avoiding awkward intervals.
It adds a dramatic pause in the progression.
4.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
How does the use of chord one in second inversion affect the progression from the Neapolitan chord to the dominant?
It creates a dissonant sound.
It changes the key to a minor scale.
It acts as a double appoggiatura onto the dominant.
It simplifies the progression by removing the Neapolitan chord.
5.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What is a potential challenge when resolving a Neapolitan chord directly to the dominant?
It might cause a modulation to a distant key.
It may create parallel fifths.
It can lead to a lack of harmonic tension.
It often results in a diminished chord.
6.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What is a creative but radical approach to resolving a Neapolitan chord?
Modulating to a key a tritone away.
Resolving to the tonic chord.
Using a diminished seventh chord.
Introducing a new time signature.
7.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
Why is it important to be cautious when resolving a Neapolitan chord?
It can easily lead to enharmonic confusion.
It often results in a change of tempo.
It might disrupt the rhythmic flow.
It requires careful voice leading to avoid awkward intervals.
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