Canadian Landscape Movement and the Group of Seven

In the early 20th century, a new Canadian landscape movement emerged, led by Toronto-based artists known as the Group of Seven. Inspired by Canada's northern wilderness, these artists, including Tom Thompson and Lawren Harris, sought to capture the region's unique beauty and spirit. They used bold colors and post-impressionist techniques to convey the emotional essence of the landscapes. Despite being city dwellers, their work reflected a deep connection to nature, which they viewed as a spiritual force. The group's legacy continues to influence Canadian art, though modern challenges like commerce and industry threaten the landscapes they cherished.

What inspired the new Canadian landscape movement in the early 20th century?

• Urban architecture

• European art styles

• Canada's northern wilderness

• Modern technology

Where did the Group of Seven often meet to discuss their ideas?

• A local art gallery

• Algonquin Park

• Toronto's Arts and Letters Club

• A member's home

Which artist played a critical role in inspiring the Group of Seven?

• A.Y. Jackson

• Tom Thompson

• Arthur Lismer

• Lawren Harris

Which member of the Group of Seven was known for painting urban views before focusing on northern landscapes?

• Lawren Harris

• A.Y. Jackson

• Frank Johnston

• Arthur Lismer

Who among the Group of Seven was recognized as an internationally respected art teacher?

• J.E.H. MacDonald

• Arthur Lismer

• Frederick H. Varley

• Franklin Carmichael

What was the primary base for the Group of Seven members?

• Vancouver

• Ottawa

• Montreal

• Toronto

How did the Group of Seven members typically earn a living?

• Teaching art

• Selling paintings

• Writing art critiques

• Working in design studios

What was the significance of Algonquin Park to the Group of Seven?

• It was the site of their first meeting

• It was where they held exhibitions

• It was a frequent destination for inspiration

• It was their permanent residence

What did the Group of Seven view as a powerful spiritual force?

• Urban life

• European art

• Nature

• Technology

What contemporary threats are mentioned as endangering the landscapes painted by the Group of Seven?

• Climate change

• Urban development

• Commerce and industry

• Tourism