Developing Filipino Identity in the Arts

One of the goals of cultural mapping is to develop plans for __________

Cultural mapping is a systematic approach to __________, recording, classifying and analyzing a community’s cultural resources.

The __________ is the overall policy-making and coordinating agency for culture and arts.

__________ enables us to understand and share culture; to re-think history; and to promote creativity and development.

____________________ involves familiarizing the LGU requesting for the cultural mapping project, discussion of the needed participants, length of the project, and logistical requirements for the project.

The second phase is the _______________ where the LGU shall orient the various stakeholders of the locality of the objectives and processes of the cultural mapping project.

The _______________ shall take initiatives in convening and in communicating with the members of the mapping team and with the identified partners and communities.

The responsibility of the __________ is to oversee and to guide the team members in the collection, analysis, and consolidation of cultural data as well as in the production of cultural resource mapping outputs within the agreed timelines.

The third phase of the project is the actual _______________.

After the training, the mappers will continue the _______________ which will go for about three to six months in order to substantially gather data on the major components of the culture profile depending on the size of the municipality and the number of mappers.