Exploring Game Writing Pillars

How can a game development team strategically decide which of the three pillars of game writing to focus on for their project?

• By equally distributing resources across all three pillars.

• By analyzing the core experience they want to convey and prioritizing the pillar that best supports it.

• By focusing solely on plot, as it is the most important aspect of game writing.

• By randomly selecting one pillar to focus on.

Tags

CCSS.RI.11-12.8

CCSS.RI.8.7

CCSS.RI.9-10.7

CCSS.RL.11-12.8

CCSS.RL.9-10.7

In what way can character development in a game come at the expense of the plot, and why might this be a strategic choice?

• By ignoring character backstories to focus on plot twists.

• By including character moments that do not advance the plot but enhance player connection to characters.

• By removing all dialogue to streamline the plot.

• By focusing on plot-driven cutscenes instead of character interactions.

Tags

CCSS.RL.11-12.7

CCSS.RL.6.3

CCSS.RL.7.3

CCSS.RL.8.3

CCSS.RL.9-10.3

What strategic approach should a game writer take to ensure that lore is effectively integrated into a game world?

• By creating a detailed story bible and ensuring all elements of the game world are consistent with it.

• By focusing solely on item descriptions and ignoring environmental storytelling.

• By writing extensive lore that is not directly accessible to players.

• By using lore only in loading screens to save development time.

How can a game writer strategically use mechanics to enhance character development?

• By ensuring that all characters have the same mechanics to maintain balance.

• By designing mechanics that reflect the character's personality and role in the story.

• By focusing on plot mechanics and ignoring character-specific actions.

• By using mechanics only for combat and not for character development.

Tags

CCSS.RL.11-12.7

CCSS.RL.6.3

CCSS.RL.7.3

CCSS.RL.8.3

CCSS.RL.9-10.3

What reasoning should a game writer use to determine if their game should focus on plot, character, or lore?

• By considering which pillar is the easiest to develop.

• By evaluating which pillar aligns best with the intended player experience and game genre.

• By focusing on the pillar that has the most existing content.

• By choosing the pillar that requires the least amount of narrative design.

Tags

CCSS.RL.11-12.3

CCSS.RL.6.3

CCSS.RL.7.3

CCSS.RL.8.3

CCSS.RL.9-10.3

Why is it important for a game writer to collaborate with the art department when developing characters?

• Because the art department can create visuals that replace the need for character dialogue.

• Because visuals are the first impression players have of characters, influencing their perception and connection.

• Because the art department can handle all aspects of character development without input from writers.

• Because character visuals are more important than their narrative roles.

Tags

CCSS.RI.11-12.8

CCSS.RI.9-10.7

CCSS.RL.11-12.8

CCSS.RL.8.7

CCSS.RL.9-10.7

How can a game writer strategically use plot twists to enhance a game's narrative?

• By adding plot twists randomly throughout the game to surprise players.

• By ensuring plot twists are integral to the game's mechanics and themes, enhancing the overall narrative.

• By focusing on plot twists at the expense of character development.

• By using plot twists only in the final act of the game.

Tags

CCSS.RL.11-12.3

CCSS.RL.11-12.5

CCSS.RL.8.3

CCSS.RL.9-10.3

CCSS.RL.9-10.5

What strategic planning should a game writer undertake to ensure that a game's lore feels authentic and immersive?

• By creating a vast amount of lore that is never revealed to the player.

• By ensuring that every element of the game world has a history and purpose that is reflected in the game's design.

• By focusing on lore only in dialogue and ignoring environmental storytelling.

• By using generic lore elements that are common in other games.

How can a game writer strategically balance the three pillars of game writing to create a cohesive narrative experience?

• By focusing on one pillar and ignoring the others.

• By integrating elements of plot, character, and lore in a way that supports the game's core themes and player experience.

• By using plot as the primary focus and adding character and lore as secondary elements.

• By developing each pillar separately without considering their interaction.

Tags

CCSS.RI.11-12.8

CCSS.RI.8.7

CCSS.RI.9-10.7

CCSS.RL.11-12.8

CCSS.RL.9-10.7

What reasoning should a game writer use to determine the importance of character backstories in a game?

• By considering how backstories can enhance player empathy and understanding of character motivations.

• By focusing on backstories only if they directly impact the plot.

• By ignoring backstories to focus on present character actions.

• By using backstories only in character bios outside of the game.

Tags

CCSS.RI.8.1

CCSS.RI.8.8

CCSS.RL.11-12.1

CCSS.RL.8.1

CCSS.RL.9-10.1