Adjust the narrative structure: The story is currently told in the third person, with "the teeny-tiny woman" as the main subject. To shift to first-person, the narrator (the voice seeking their bone) needs to become the protagonist of the story. Describe the owner of the voice in the cupboard as you envision them.
Teeny Tiny Rewrite

Passage
•
English
•
11th Grade
•
Easy

Natasha Trinite
Used 1+ times
FREE Resource
6 questions
Show all answers
1.
OPEN ENDED QUESTION
5 mins • 1 pt
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2.
OPEN ENDED QUESTION
5 mins • 1 pt
Establish the voice's perspective: The voice needs to be the focal point of the story, guiding the reader through their experience. This includes detailing their emotions, motivations, and actions. Write a short, stream-of-consciousness explanation, as though it came from the owner of the bone, on how its bone ended up lost to begin with.
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3.
OPEN ENDED QUESTION
5 mins • 1 pt
Revise character description: The story begins by describing the "teeny-tiny woman" in great detail. Instead, the voice should describe the setting and themselves, establishing the emotional tone of the scene. The voice can describe how they feel about losing the bone and why it's important to them. Make a list of things important for the bone character to focus on.
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4.
OPEN ENDED QUESTION
5 mins • 1 pt
Change narrative voice: Since the story is in first-person now, the voice should directly speak to the reader. This could mean internal monologues or direct addresses. For example, instead of saying "the teeny-tiny woman was a teeny-tiny bit frightened," the voice could explain how they feel in reaction to the woman’s actions. Explain what the bone creature is thinking while the teeny tiny woman is afraid.
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5.
OPEN ENDED QUESTION
5 mins • 1 pt
Modify direct speech: The “Give me my bone!” line will now be spoken by the narrator. The voice could express their frustration, desperation, or any other emotion they’re feeling when they demand the bone back. Rewrite the dialogue from the bone creature's perspective.
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6.
OPEN ENDED QUESTION
5 mins • 1 pt
Shift the focus to the voice’s frustration: The story currently emphasizes the woman’s actions and fear. In the first-person version, the voice's growing frustration and urgency to get the bone back should be a central part of the story. Write out examples of times when the bone creature's frustration would spike.
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