MAUAMT - Chapter 3 - Film Movements #1

What is a film movement?

• A trend of blockbuster films from the same studio

• A film genre focusing on similar themes

• A group of films with shared stylistic, thematic, or narrative conventions influenced by cultural or social contexts

• A sequence of events in a single film that when combined together create meaning for the audience

Film movements often arise as reactions to societal, political, or technological changes.

• True

• False

The term "montage of attractions," coined by Sergei Eisenstein, refers to the use of _______ to create intellectual or emotional responses in the audience.

Match the film movement with its characteristic:

• Jump cuts and handheld cameras

• Italian Neorealism

• Non-professional actors and locations

• Soviet Montage

• Juxtaposition of shots to make meaning

• French New Wave

• Distorted sets and chiaroscuro lighting

• German Expressionism

Explain how French New Wave filmmakers used technological advancements to innovate cinematic storytelling.

Answer explanation

French New Wave filmmakers used lightweight cameras and synchronized sound to shoot on location, resulting in naturalistic performances and breaking traditional editing rules with techniques like jump cuts.

Which of the following are key conventions of German Expressionism?

• Exaggerated sets

• Grotesque makeup

• Linear narratives

• Chiaroscuro lighting

Order the emergence of the following film movements:

1​ ​ (a)  

2​ (b)  

3​ (c)  

4​ (d)  

• Italian Neorealism
• French New Wave
• New Hollywood
• Dogme 95

The French New Wave emphasized personal artistic expression and auteurship.

• True

• False

Which director is associated with the film Battleship Potemkin, a cornerstone of Soviet Montage?

• Vsevolod Pudovkin

• Sergei Eisenstein

• Dziga Vertov

• Andrei Tarkovsky

Answer explanation

• Vsevolod Pudovkin
  Pudovkin was a Soviet filmmaker and contemporary of Eisenstein, known for Mother (1926), which used montage techniques to emphasize emotional storytelling and individual characters rather than collective groups.

• Dziga Vertov
  Vertov was a pioneering Soviet documentarian famous for Man with a Movie Camera (1929), which celebrated the possibilities of cinema as a medium through experimental editing and self-reflexive techniques.

• Andrei Tarkovsky
  Tarkovsky was a Russian filmmaker renowned for his poetic and philosophical style, exemplified in films like Andrei Rublev (1966) and Solaris (1972), which focused on long takes and spiritual themes rather than montage.

Which film movement does this image reflect?

• Classical Hollywood

• German Expressionism

• French New Wave

• Soviet Montage