Value

Value refers to the

• shape or form of colors or gray tones.

• direction or movement of the colors or gray tones.

• lightness or darkness of the colors or gray tones.

• height and width of the colors or gray tones.

Light affects colors or gray tones by making them lighter in direct light, and on surfaces facing away

• they are darker.

• they have more movement.

• they are heavier.

• they have more contrast.

In landscapes, the darker values are usually found

• around the positive shape.

• closer to the viewer.

• farther away to the viewer.

• above the negative shape.

High-keyed values start with white and are light and pastel. Low-keyed values are

• mixed with black or gray.

• the center of interest.

• heavy, static and smoooth.

• light, dynamic and textured.

High-keyed values can be warm and have sunshine and happiness. Low-keyed values can be

• light, textured and have movement.

• heavy, dynamic and smooth.

• vertical, horizontal or diagonal.

• cool, gloomy and sad.

A good example of art that has high-keyed value by John Singer Sargent is

• "Aurora Borealis."

• "Telephone Lady."

• "Muddy Alligators,"

• "Mona Lisa."

"Aurora Borealis" by Frederick Edwin Church is

• high-keyed.

• low-keyed.

• flow-keyed.

• no-keyed.

When artists use strong values just a little, they are saving it for

• line.

• shape and form.

• value.

• the center of interest.

The center of interest is emphasized with

• positive space.

• negative space.

• outer space.

• value contrast.

Louise Nevelson paints most of her sculptures in monochromatic black, white or gold to emphasize and

• give power to her art.

• give sparkles to her art.

• give hues to her art.

• give freedom to her art.