Module 8

armature

• an underlying structure of wire that sets the physical shape of the work and is used to create larger sculptures

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Bas-relief

• refers to a shallow extension of the image from its surroundings

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Carving

• uses the subtractive process to cut away areas from a larger mass, and is the oldest method used for three-dimensional work. Traditionally stone and wood were the most common materials because they were readily available and extremely durable. Contemporary materials include foam, plastics and glass. Using chisels and other sharp tools, artists carve away material until the ultimate form of the work is achieved

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Casting

• The additive method of casting has been in use for over five thousand years. It’s a manufacturing process by which a liquid material is usually poured into a mold, which contains a hollow cavity of the desired shape, and then allowed to solidify. One traditional method of bronze casting frequently used today is the lost wax processLinks to an external site.

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high relief

• is where the most prominent elements of the composition are undercut and rendered at more than half in the round against the background

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Installation art

• utilizes multiple objects, often from various mediums, and takes up entire spaces. It can be generic or site specific. Because of their relative complexity, installations can address aesthetic and narrative ideas on a larger scale than traditional sculpture.

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Modeling

• is a method that can be both additive and subtractive. The artist uses modeling to build up form with clay, plaster or other soft material that can be pushed, pulled, pinched or poured into place. The material then hardens into the finished work

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Performance art

• goes a step further, involving the artist as part of the work itself. Some performance artworks are interactive, involving the viewer too. The nature of the medium is in its ability to use live performance in the same context as static works of art: to enhance our understanding of artistic experience.

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Product Design

• The dictum “form follows function” represents an organic approach to three-dimensional design. The products and devices we use everyday continue to serve the same functions but change in styles. This constant realignment in basic form reflects modern aesthetic considerations and, on a larger scale, become artifacts of the popular culture of a given time period

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relief

• where the primary form’s surface is raised above the surrounding material, such as the image on a coin

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