
Documentary Film Theory Quiz
Quiz
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Other
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Professional Development
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Medium
Zinta Amolins
Used 1+ times
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13 questions
Show all answers
1.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
Who created the film theory that categorizes the types of documentary films or documentary modes?
Amy Clarke
Bill Nichol
The author of the article
An anonymous film critic
2.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
As of the date mentioned in the article, how many types of documentary film modes are there according to the film theory?
4
5
6
7
3.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What is the aim of the Poetic Mode in documentary filmmaking?
To provide a clear narrative and guide the audience to a specific viewpoint
To let the audience find their own viewpoint without a narrator or presenter
To heavily research the subject matter and present factual information
To focus on the filmmaker's opinion and perspective
4.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
Which of the following is NOT a characteristic of the Poetic Mode in documentary filmmaking?
Relies on images to tell the story
More creative and less subjective
Has a narrator or presenter guiding the story
Allows the viewer to decide what they believe is happening
5.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
Which of the following is not a characteristic of the most popular type of documentary films according to the text?
They educate and explain an issue, event or location
They tend to feature interviews and graphics
They have a complicated storyline that is hard to follow
They have a 'voice of god' narration
6.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What is typically required to make the most popular type of documentary film?
Minimal research and no planning
A lot of research and planning
No interviews or script
A non-linear storyline
7.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What is a characteristic of the Participatory Mode in documentary filmmaking according to Bill Nichols?
The filmmaker observes the subjects from a distance without interaction.
The filmmaker talks with the subjects and becomes involved in the action.
The filmmaker manipulates the subjects to create a fictional narrative.
The filmmaker remains completely invisible to the audience and subjects.
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