Theory III Final Review

Approached by: Same Tone

Left by: Step up

• Passing Tone

• Neighboring Tone

• Suspension

• Retardation

Approached by: Step

Left by: Step in the opposite direction

• Passing Tone

• Neighboring Tone

• Suspension

• Retardation

Approached by: Same Tone

Left by: Step down

• Passing Tone

• Neighboring Tone

• Suspension

• Retardation

Approached by: Step

Left by: Step in the same direction

• Passing Tone

• Neighboring Tone

• Suspension

• Retardation

Approached by: Step

Left by: Leap in opposite direction

• Appoggiatura

• Escape Tone

• Neighbor Group

• Pedal Point

• Anticipation

Approached by: step or leap

Left by: same tone

• Appoggiatura

• Escape Tone

• Neighbor Group

• Pedal Point

• Anticipation

Approached by: Leap

Left by: Step

• Appoggiatura

• Escape Tone

• Neighbor Group

• Pedal Point

• Anticipation

Approached by: Escape Tone

Left by: Appoggiatura

• Appoggiatura

• Escape Tone

• Neighbor Group

• Pedal Point

• Anticipation

a compositional device that begins as a chord tone then becomes an NCT as the harmonies around it change, and finally ends up as a chord tone when the harmony is once more in agreement with it

• Appoggiatura

• Escape Tone

• Neighbor Group

• Pedal Point

• Anticipation

The 7th of the V7 chord resolves ________.

• Up

• Down