MAPEH 10- MUSIC

2. He was the principal exponent of the impressionist movement, one of the most

influential and leading composers of the 20th century and composed more or less 227 masterpieces.

• a. Schoenberg

• b. Debussy

• c. Ravel

• d. Beethoven

Claude Debussy’s a highly imaginative and atmospheric symphonic work for

orchestra about the sea.

• a. La Mer

• b. Arabesque

• c. Claire De Lune

• d. Bolero

Constant changing of textures, distorted melodies and harmonies, and extreme

contrast of dynamics are featured in this time.

• a. Impressionism

• b. Neoclassicism

• c. Expressionism

•           d. Modern Nationalism

His style in music reformed from time to time and he was responsible of the Twelve

tone System.

• a. Ravel

• b. Debussy

• c. Schoenberg

• d. Stravinsky

One of the most significant compositions of Schoenberg, it was the first composition

ever to dispense completely with “tonal” (counterpart of atonal) means of

organization.

• a. Three Piano Pieces

• b. Pierrot Lunaire

• c. Violin Concerto

• d. Verklarte Nacht

A lot of game-changer in music was produced. The composer records different    

sounds that are heard in the environment, these sounds are arranged by the composer in different ways like playing the tape recorder in its fastest mode or in reverse. This happened in the era of  ___________.

• a. Neo-Classicism

• b. Expressionism

• c. Electronic Music

• d. Impressionism

A lot of game-changer in music was produced. The composer records different    

sounds that are heard in the environment, these sounds are arranged by the composer in different ways like playing the tape recorder in its fastest mode or in reverse. This happened in the era of  ___________.

• a. Neo-Classicism

• b. Expressionism

• c. Electronic Music

• d. Impressionism

His music was initially met with resistance due to its heavily atonal content with

practically no clear melodic or rhythmic sense. A central figure in the realm of electronic music.

• a. . Edgard Varese

• b.  Stockhausen

• c.Tsaikovsky

• d. Bartok

   

1. The use of "color", or in musical terms, timbre, which can be achieved

through orchestration, harmonic usage, texture. It was an attempt not to depict reality, but merely to suggest it.

• a. Impressionism

• b. Neo-Classicism

• c. Expressionism

• d. Modern Nationalism