Histories of Listening Quiz

Histories of Listening Quiz

University

13 Qs

quiz-placeholder

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Histories of Listening Quiz

Histories of Listening Quiz

Assessment

Quiz

History, Fun, Arts

University

Practice Problem

Hard

Created by

Laura Biemmi

Used 4+ times

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13 questions

Show all answers

1.

MULTIPLE CHOICE QUESTION

20 sec • 1 pt

Media Image

What does H.I.P stand for?

Historically initiated performance

Hierarchically inspired practice

Historically informed performance

Hello, I'm Peter

2.

MULTIPLE CHOICE QUESTION

10 sec • 1 pt

Where was Jean-Baptise Lully born?

Italy

France

England

Germany

Answer explanation

Media Image

OHOHO a trick question! Lully was born in Tuscany in 1632 and was baptised as 'Giovanni Battista Lulli' before Frenchi-fying it to Jean Baptise Lully

3.

MULTIPLE CHOICE QUESTION

20 sec • 1 pt

The 18th century operatic reform movement was spearheaded by which composer?

Jean-Phillipe Rameau

George Friedric Handel

Wolfgang Amadeus Mozart

Christoph Willibald Gluck

4.

MULTIPLE CHOICE QUESTION

10 sec • 1 pt

Media Image

What year did Gluck's opera Orfeo ed Euridice premiere?

1742

1752

1762

1772

5.

MULTIPLE SELECT QUESTION

20 sec • 1 pt

Media Image

Compared to concert etiquette today, why were 18th century opera audiences so rowdy and unfocussed as listeners?

They were busy socialising and 'seen being seen'

They were all inebriated

It was 'embarrassing' to be moved by emotional music

They were attentive to certain aspects at certain times

6.

MULTIPLE SELECT QUESTION

20 sec • 1 pt

Media Image

Why did Haydn travel to London?

Prince Nikolaus Esterhazy died and was succeeded by his son who disbanded the orchestra in 1791

People kept pirating and sharing his scores, costing him money

He was invited by Peter Salomon to perform some symphonies and string quartets

He planned to retire in London

7.

MULTIPLE CHOICE QUESTION

20 sec • 1 pt

Carl Dahlhaus's book on the transference of holy devotion to secular concert music was called what?

Absolute Music: The History of an Idea

The Idea of Absolute Music

Esthetic Contemplation as Devotion

Instrumental Music and Art-Religion

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