Mark the letter A, B, C, or D on your answer sheet to indicate the most suitable response to complete each of the following exchanges. Câu 20 (TH): Mary and her friend, Ensoleill, are in a coffee shop. Mary: “Would you like Matcha ice–cream or Caramen with jam?” Ensoleill: “ ____________________”

D. Neither is fine. They are good.

Mark the letter A, B, C, or D on your answer sheet to indicate the word(s) OPPOSITE in meaning to the underlined word(s) in each of the following questions. Câu 24 (VDC): We run a very tight ship here, and we expect all our employees to be at their desks by eight o’clock and take good care of their own business.

B. organize things inefficiently

Read the passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions . Sometimes you know things about people the first time you see them, for example, that you want to be friends with them or that you don’t trust them. But perhaps this kind of intuition isn’t as hard to explain as it may seem. For instance, people give out their body language signals all the time. The way you hold your body, head and arms tells people about your mood. If you hold your arms tightly at your sides, or fold them across your chest, people will generally feel that you are being defensive. Holding your head to one side shows interest in the other, while an easy, open posture indicates that you are self- confident. All this affects the way you feel about someone. Also, a stranger may remind you of a meeting with someone. This may be because of something as simple as the fact that he or she is physically similar to someone who treated you well or badly. Your feelings about a stranger could be influenced by a smell in the air that brings to mind a place where you were happy as a child. Since even a single word can bring back a memory such as that, you may never realize it is happening. Câu 32 (TH): What one feels about a stranger may be influenced by something that ________.

A. revives one’s past memories

C. strengthen one’s past behaviors

D. reminds one of one’s past treatment

Read the passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions . Sometimes you know things about people the first time you see them, for example, that you want to be friends with them or that you don’t trust them. But perhaps this kind of intuition isn’t as hard to explain as it may seem. For instance, people give out their body language signals all the time. The way you hold your body, head and arms tells people about your mood. If you hold your arms tightly at your sides, or fold them across your chest, people will generally feel that you are being defensive. Holding your head to one side shows interest in the other, while an easy, open posture indicates that you are self- confident. All this affects the way you feel about someone. Also, a stranger may remind you of a meeting with someone. This may be because of something as simple as the fact that he or she is physically similar to someone who treated you well or badly. Your feelings about a stranger could be influenced by a smell in the air that brings to mind a place where you were happy as a child. Since even a single word can bring back a memory such as that, you may never realize it is happening. Câu 33 (TH): What does the second paragraph discuss?

D. Factors that may influence one’s feeling about a stranger

A. Meaning of signals one implies toward a stranger

B. Factors that cause people to act differently

C. How people usually behave to a stranger

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions. The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in the late nineteenth and early twentieth centuries. The fact that artisans, who were looked on as mechanics or skilled workers in the eighteenth century, are frequently considered artists today is directly attributable to the Arts and Crafts Movement of the nineteenth century. The importance now placed on attractive and harmonious home decoration can also be traced to this period, when Victorian interior arrangements were revised to admit greater light and more freely flowing spaces. The Arts and Crafts Movement reacts against mechanized processes that threatened handcrafts and resulted in cheapened, monotonous merchandise. Founded in the late nineteenth century by British social critics John Ruskin and William Morris, the movement revered craft as a form of art. In a rapidly industrializing society, most Victorians agreed that art was an essential moral ingredient in the home environment, and in many middle- and working-class homes craft was the only form of art. Ruskin and his followers criticized not only the degradation of artisans reduced to machine operators, but also the impending loss of daily contact with handcrafted objects, fashioned with pride, integrity, and attention to beauty. In the United States as well as in Great Britain, reformers extolled the virtues of handcrafted objects: simple, straightforward design; solid materials of good quality; and sound, enduring construction techniques. These criteria were interpreted in a variety of styles, ranging from rational and geometric to romantic or naturalistic. Whether abstract, stylized, or realistically treated, the consistent theme in virtually all Arts and Crafts design is nature. The Arts and Crafts Movement was much more than a particular style; it was a philosophy of domestic life. Proponents believed that if simple design, high-quality materials, and honest construction were realized in the home and its appointments, then the occupants would enjoy moral and therapeutic effects. For both artisan and consumer, the Arts and Crafts doctrine was seen as a magical force against the undesirable effects of industrialization. Câu 35 (VD): The passage primarily focuses on nineteenth century arts and crafts in terms of which of the following?

D. Their role in an industrialized society.

B. Their importance in museum collections.

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions. The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in the late nineteenth and early twentieth centuries. The fact that artisans, who were looked on as mechanics or skilled workers in the eighteenth century, are frequently considered artists today is directly attributable to the Arts and Crafts Movement of the nineteenth century. The importance now placed on attractive and harmonious home decoration can also be traced to this period, when Victorian interior arrangements were revised to admit greater light and more freely flowing spaces. The Arts and Crafts Movement reacts against mechanized processes that threatened handcrafts and resulted in cheapened, monotonous merchandise. Founded in the late nineteenth century by British social critics John Ruskin and William Morris, the movement revered craft as a form of art. In a rapidly industrializing society, most Victorians agreed that art was an essential moral ingredient in the home environment, and in many middle- and working-class homes craft was the only form of art. Ruskin and his followers criticized not only the degradation of artisans reduced to machine operators, but also the impending loss of daily contact with handcrafted objects, fashioned with pride, integrity, and attention to beauty. In the United States as well as in Great Britain, reformers extolled the virtues of handcrafted objects: simple, straightforward design; solid materials of good quality; and sound, enduring construction techniques. These criteria were interpreted in a variety of styles, ranging from rational and geometric to romantic or naturalistic. Whether abstract, stylized, or realistically treated, the consistent theme in virtually all Arts and Crafts design is nature. The Arts and Crafts Movement was much more than a particular style; it was a philosophy of domestic life. Proponents believed that if simple design, high-quality materials, and honest construction were realized in the home and its appointments, then the occupants would enjoy moral and therapeutic effects. For both artisan and consumer, the Arts and Crafts doctrine was seen as a magical force against the undesirable effects of industrialization. Câu 36 (TH): According to the passage, before the nineteenth century, artisans were thought to be ________.

A. defenders of moral standards

B. creators of cheap merchandise

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions. The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in the late nineteenth and early twentieth centuries. The fact that artisans, who were looked on as mechanics or skilled workers in the eighteenth century, are frequently considered artists today is directly attributable to the Arts and Crafts Movement of the nineteenth century. The importance now placed on attractive and harmonious home decoration can also be traced to this period, when Victorian interior arrangements were revised to admit greater light and more freely flowing spaces. The Arts and Crafts Movement reacts against mechanized processes that threatened handcrafts and resulted in cheapened, monotonous merchandise. Founded in the late nineteenth century by British social critics John Ruskin and William Morris, the movement revered craft as a form of art. In a rapidly industrializing society, most Victorians agreed that art was an essential moral ingredient in the home environment, and in many middle- and working-class homes craft was the only form of art. Ruskin and his followers criticized not only the degradation of artisans reduced to machine operators, but also the impending loss of daily contact with handcrafted objects, fashioned with pride, integrity, and attention to beauty. In the United States as well as in Great Britain, reformers extolled the virtues of handcrafted objects: simple, straightforward design; solid materials of good quality; and sound, enduring construction techniques. These criteria were interpreted in a variety of styles, ranging from rational and geometric to romantic or naturalistic. Whether abstract, stylized, or realistically treated, the consistent theme in virtually all Arts and Crafts design is nature. The Arts and Crafts Movement was much more than a particular style; it was a philosophy of domestic life. Proponents believed that if simple design, high-quality materials, and honest construction were realized in the home and its appointments, then the occupants would enjoy moral and therapeutic effects. For both artisan and consumer, the Arts and Crafts doctrine was seen as a magical force against the undesirable effects of industrialization. Câu 37 (TH): It can be inferred from the passage that the Arts and Crafts Movement would have considered all of the following to be artists EXCEPT _________.

C. operators of machines that automatically cut legs, for furniture

B. people who produce handmade glass objects

D. metalworkers who create unique pieces of jewelry

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions. The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in the late nineteenth and early twentieth centuries. The fact that artisans, who were looked on as mechanics or skilled workers in the eighteenth century, are frequently considered artists today is directly attributable to the Arts and Crafts Movement of the nineteenth century. The importance now placed on attractive and harmonious home decoration can also be traced to this period, when Victorian interior arrangements were revised to admit greater light and more freely flowing spaces. The Arts and Crafts Movement reacts against mechanized processes that threatened handcrafts and resulted in cheapened, monotonous merchandise. Founded in the late nineteenth century by British social critics John Ruskin and William Morris, the movement revered craft as a form of art. In a rapidly industrializing society, most Victorians agreed that art was an essential moral ingredient in the home environment, and in many middle- and working-class homes craft was the only form of art. Ruskin and his followers criticized not only the degradation of artisans reduced to machine operators, but also the impending loss of daily contact with handcrafted objects, fashioned with pride, integrity, and attention to beauty. In the United States as well as in Great Britain, reformers extolled the virtues of handcrafted objects: simple, straightforward design; solid materials of good quality; and sound, enduring construction techniques. These criteria were interpreted in a variety of styles, ranging from rational and geometric to romantic or naturalistic. Whether abstract, stylized, or realistically treated, the consistent theme in virtually all Arts and Crafts design is nature. The Arts and Crafts Movement was much more than a particular style; it was a philosophy of domestic life. Proponents believed that if simple design, high-quality materials, and honest construction were realized in the home and its appointments, then the occupants would enjoy moral and therapeutic effects. For both artisan and consumer, the Arts and Crafts doctrine was seen as a magical force against the undesirable effects of industrialization. Câu 39 (TH): According to paragraph 2, the handcrafted objects in the homes of middle and working-class families usually were _________.

C. regarded as being morally uplifting

A. made by members of the family

B. the least expensive objects in their homes

D. thought to symbolize progress

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions. The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in the late nineteenth and early twentieth centuries. The fact that artisans, who were looked on as mechanics or skilled workers in the eighteenth century, are frequently considered artists today is directly attributable to the Arts and Crafts Movement of the nineteenth century. The importance now placed on attractive and harmonious home decoration can also be traced to this period, when Victorian interior arrangements were revised to admit greater light and more freely flowing spaces. The Arts and Crafts Movement reacts against mechanized processes that threatened handcrafts and resulted in cheapened, monotonous merchandise. Founded in the late nineteenth century by British social critics John Ruskin and William Morris, the movement revered craft as a form of art. In a rapidly industrializing society, most Victorians agreed that art was an essential moral ingredient in the home environment, and in many middle- and working-class homes craft was the only form of art. Ruskin and his followers criticized not only the degradation of artisans reduced to machine operators, but also the impending loss of daily contact with handcrafted objects, fashioned with pride, integrity, and attention to beauty. In the United States as well as in Great Britain, reformers extolled the virtues of handcrafted objects: simple, straightforward design; solid materials of good quality; and sound, enduring construction techniques. These criteria were interpreted in a variety of styles, ranging from rational and geometric to romantic or naturalistic. Whether abstract, stylized, or realistically treated, the consistent theme in virtually all Arts and Crafts design is nature. The Arts and Crafts Movement was much more than a particular style; it was a philosophy of domestic life. Proponents believed that if simple design, high-quality materials, and honest construction were realized in the home and its appointments, then the occupants would enjoy moral and therapeutic effects. For both artisan and consumer, the Arts and Crafts doctrine was seen as a magical force against the undesirable effects of industrialization. Câu 41 (TH): According to the passage, which of the following changes occurred at the same time as the Arts and Crafts Movement?

A. The creation of brighter and more airy spaces inside homes.

B. The rejection of art that depicted nature in a realistic manner.

C. A decline of interest in art museum collections.

D. An increase in the buying of imported art objects.

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions. The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in the late nineteenth and early twentieth centuries. The fact that artisans, who were looked on as mechanics or skilled workers in the eighteenth century, are frequently considered artists today is directly attributable to the Arts and Crafts Movement of the nineteenth century. The importance now placed on attractive and harmonious home decoration can also be traced to this period, when Victorian interior arrangements were revised to admit greater light and more freely flowing spaces. The Arts and Crafts Movement reacts against mechanized processes that threatened handcrafts and resulted in cheapened, monotonous merchandise. Founded in the late nineteenth century by British social critics John Ruskin and William Morris, the movement revered craft as a form of art. In a rapidly industrializing society, most Victorians agreed that art was an essential moral ingredient in the home environment, and in many middle- and working-class homes craft was the only form of art. Ruskin and his followers criticized not only the degradation of artisans reduced to machine operators, but also the impending loss of daily contact with handcrafted objects, fashioned with pride, integrity, and attention to beauty. In the United States as well as in Great Britain, reformers extolled the virtues of handcrafted objects: simple, straightforward design; solid materials of good quality; and sound, enduring construction techniques. These criteria were interpreted in a variety of styles, ranging from rational and geometric to romantic or naturalistic. Whether abstract, stylized, or realistically treated, the consistent theme in virtually all Arts and Crafts design is nature. The Arts and Crafts Movement was much more than a particular style; it was a philosophy of domestic life. Proponents believed that if simple design, high-quality materials, and honest construction were realized in the home and its appointments, then the occupants would enjoy moral and therapeutic effects. For both artisan and consumer, the Arts and Crafts doctrine was seen as a magical force against the undesirable effects of industrialization. Câu 42 (NB): The word “ it ” in the last paragraph refers to ________.

C. the Arts and Crafts Movement

Mark the letter A, B, C or D to indicate the sentence that is closest in meaning to each of the following questions. Câu 46 (VDC): Mary was very disappointed. However, she tried to keep calm.

C. Disappointed as she was, Mary tried to keep calm.

A. Mary was too disappointed to keep calm.

B. Mary lost her temper because of her disappointment.

D. Feeling disappointed, Mary tried to keep calm, but she failed.

Mark the letter A, B, C or D to indicate the sentence that is closest in meaning to each of the following questions. Câu 47 (VDC): She gave a great performance at the festival. We now know she has artistic talent.

A. But for her great performance at the festival, we wouldn't know about her artistic talent now.

B. Amazing as her artistic talent is, we don't know about her great performance at the festival.

C. Although she gave a great performance at the festival, we know she has artistic talent.

D. Hardly had we know about her artistic talent when she gave a great performance at the festival.

Mark the letter A, B, C, or D on your answer sheet to indicate the sentence that is closest in meaning to each of the following questions. Câu 48 (VD): Be careful or you may get lost and run out of money.” She said.

A. She advised me to be careful or I might get lost and run out of money.

B. She warned me to be careful or I had to get lost and run out of money.

C. She ordered me to be careful and I might get lost and run out of money.

D. She told me to be careful if I got lost and run out of the money.

Mark the letter A, B, C, or D on your answer sheet to indicate the sentence that is closest in meaning to each of the following questions. Câu 49 (VD): It isn’t necessary for us to get a visa for Singapore.

B. We needn’t get a visa for Singapore.

A. We mustn’t get a visa for Singapore.

C. We mayn’t get a visa for Singapore.

D. We shouldn’t get a visa for Singapore.

Mark the letter A, B, C, or D on your answer sheet to indicate the sentence that is closest in meaning to each of the following questions. Câu 50 (VD): The last time I went to the museum was a year ago.

A. I have not been to the museum for a year.

B. A year ago, I often went to the museum.

C. My going to the museum lasted a year.

D. At last I went to the museum after a year.

ENGLISH 12-TEST 8

Authored by Thị Nghiêm

English

12th Grade

Used 8+ times

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MULTIPLE CHOICE QUESTION

1 min • 1 pt

Mark the letter A, B, C, or D on your answer sheet to indicate the word whose underlined part differs from the other three in pronunciation in each of the following questions.

A. approached

B. noticed

C. supported

D. finished

MULTIPLE CHOICE QUESTION

1 min • 1 pt

Mark the letter A, B, C, or D on your answer sheet to indicate the word whose underlined part differs from the other three in pronunciation in each of the following questions.

A. them

B. threaten

C. through

D. thunder

MULTIPLE CHOICE QUESTION

1 min • 1 pt

Mark the letter A, B, C, or D on your answer sheet to indicate the word that differs from the rest in the position of the primary stress in each of the following questions.

A. centralise

B. achievement

C. combustion

D. diversity

MULTIPLE CHOICE QUESTION

1 min • 1 pt

Mark the letter A, B, C, or D on your answer sheet to indicate the word that differs from the rest in the position of the primary stress in each of the following questions.

A. relevant

B. assistant

C. argument

D. attitude

MULTIPLE CHOICE QUESTION

1 min • 1 pt

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.
Câu 5 (VD): I finally __________ the cold that I had had all week.

A. pass out

B. get over

C. come down with

D. pull through

MULTIPLE CHOICE QUESTION

1 min • 1 pt

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.
Câu 6 (VD): My college graduation was a real__________ day for my whole life.

A. red letter

B. red ink

C. red tape

D. red brick

MULTIPLE CHOICE QUESTION

1 min • 1 pt

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.
Câu 7 (VD): The weather is going to change soon; I feel it in my __________

A. body

B. legs

C. bones

D. skin

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ENGLISH 12-TEST 8

Mark the letter A, B, C, or D on your answer sheet to indicate the word whose underlined part differs from the other three in pronunciation in each of the following questions.

Mark the letter A, B, C, or D on your answer sheet to indicate the word whose underlined part differs from the other three in pronunciation in each of the following questions.

Mark the letter A, B, C, or D on your answer sheet to indicate the word that differs from the rest in the position of the primary stress in each of the following questions.

Mark the letter A, B, C, or D on your answer sheet to indicate the word that differs from the rest in the position of the primary stress in each of the following questions.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.
Câu 5 (VD): I finally __________ the cold that I had had all week.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.
Câu 6 (VD): My college graduation was a real__________ day for my whole life.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.
Câu 7 (VD): The weather is going to change soon; I feel it in my __________

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.
Câu 8 (TH): My parents lent me the money. _________, I couldn’t have afforded the trip.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.
Câu 9 (TH): They _ enthusiastically when their teacher ___in.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.
Câu 10 (TH): The earthquake, and tsunami that followed, has killed over 1300 people, the majority of ________were in the city of Palu in Central Sulawesi, Indonesia.

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ENGLISH 12-TEST 8

Mark the letter A, B, C, or D on your answer sheet to indicate the word whose underlined part differs from the other three in pronunciation in each of the following questions.

Mark the letter A, B, C, or D on your answer sheet to indicate the word whose underlined part differs from the other three in pronunciation in each of the following questions.

Mark the letter A, B, C, or D on your answer sheet to indicate the word that differs from the rest in the position of the primary stress in each of the following questions.

Mark the letter A, B, C, or D on your answer sheet to indicate the word that differs from the rest in the position of the primary stress in each of the following questions.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions. Câu 5 (VD): I finally __________ the cold that I had had all week.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.Câu 6 (VD): My college graduation was a real__________ day for my whole life.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions. Câu 7 (VD): The weather is going to change soon; I feel it in my __________

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.Câu 8 (TH): My parents lent me the money. _________, I couldn’t have afforded the trip.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions. Câu 9 (TH): They _________ enthusiastically when their teacher ___________in.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions. Câu 10 (TH): The earthquake, and tsunami that followed, has killed over 1300 people, the majority of ________were in the city of Palu in Central Sulawesi, Indonesia.

Access all questions and much more by creating a free account

Similar Resources on Wayground

Popular Resources on Wayground

Discover more resources for English

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.
Câu 5 (VD): I finally __________ the cold that I had had all week.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.
Câu 6 (VD): My college graduation was a real__________ day for my whole life.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.
Câu 7 (VD): The weather is going to change soon; I feel it in my __________

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.
Câu 8 (TH): My parents lent me the money. _________, I couldn’t have afforded the trip.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.
Câu 9 (TH): They _ enthusiastically when their teacher ___in.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.
Câu 10 (TH): The earthquake, and tsunami that followed, has killed over 1300 people, the majority of ________were in the city of Palu in Central Sulawesi, Indonesia.