Cujo Excerpt

Which choice uses the same meaning of the red word.
 
Lonely a child sat due to the revulsion displayed by the other child after he made fun of a boy for having holes in his shoes. 

• The angry animal had white revulsion spewing from his mouth.
• The teacher used his revulsion to gain the interest of the students. 
• As the child ate more and more vegetables, his revulsion became more obvious. 
• The revulsion of the dog made no one want to adopt him. 

Tags

CCSS.RI.7.4

CCSS.RI.8.4

CCSS.RI.9-10.4

CCSS.RL.8.4

CCSS.RL.9-10.4

Which choice uses the same meaning of the red word.
 As I began to run up the hill, my breathing changed and I moved more languidly. 

• The students languidly discussed the most exciting parts of the movie.
• The zombie languidly walked towards the cowering crowd.
• After some water and a quick rest the horse ran more languidly than before.
• The thirsty man languidly drank a whole bottle of water.

Tags

CCSS.RI.8.4

CCSS.RI.9-10.4

CCSS.RL.7.4

CCSS.RL.8.4

CCSS.RL.9-10.4

Which choice uses the same meaning of the red word.
 As the students came in form PE, the teacher's eyes become rheumy. 

• Using a soft cloth, I wiped the moisture from Grandpa’s rheumy eyes. 
• My dad's feet can sometimes give off a rheumy smell.
• As the groom soon entered through the mudroom, the rheumy room became more like a gloomy tomb.
• The pupils of an alligator's eye has a very rheumy shape. 

Tags

CCSS.RI.7.4

CCSS.RI.8.4

CCSS.RI.9-10.4

CCSS.RL.8.4

CCSS.RL.9-10.4

Which choice uses the same meaning of the red word.
 Honey bees fan their collected nectar to make it less viscous, eventually turning it into honey. 

• The bottle of glue was uncapped and became less viscous.
• My car is as viscous as my wife’s car.
• The zombie viscously walked towards the cowering crowd.
• The revulsion of the dog made no one want to adopt him.

Tags

CCSS.RI.8.4

CCSS.RI.9-10.4

CCSS.RL.7.4

CCSS.RL.8.4

CCSS.RL.9-10.4

Reread this section from Cujo to collect textual evidence and answer the follow-up questions.   And the dog seemed to know. His terrible, thoughtless eyes never left Donna Trenton's wide blue ones. He paced forward slowly, almost languidly. Now he was standing on the barnboards at the mouth of the garage. Now he was on the crushed gravel twenty-five feet away. He never stopped growling. It was a low, purring sound, soothing in its menace. Foam dropped from Cujo's snout. And she couldn't move, not at all.   Then Tad saw the dog, recognized the blood which streaked its fur, and shrieked—a high piercing sound that made Cujo shift his eyes. And that was what seemed to free her.   She turned in a great shambling drunk's pivot, slamming her lower leg against the Pinto's fender and sending a steely bolt of pain up to her hip. She ran back around the hood of the car. Cujo's growl rose to a shattering roar of rage and he charged at her. Her feet almost skidded out from under her in the loose gravel, and she was only able to recover by slamming her arm down on the Pinto's hood. She hit her crazybone and uttered a thin shriek of pain.
Based on textual evidence, what can you infer is the reason why Donna “turned in a great shambling drunk's pivot, slamming her lower leg against the Pinto's fender” when she tried to get away from Cujo?

•  Donna is afraid of dogs.
•  Donna felt paralyzed with fear and unable to move before, so she is stiff and moves awkwardly. 
• Donna is afraid that Cujo will get into the car through the window. 
• Donna is afraid that Cujo will attack her son.   

Tags

CCSS.RI.7.1

CCSS.RI.8.1

CCSS.RL.7.1

CCSS.RL.7.2

CCSS.RL.8.1

Which sentence or phrase from the passage best supports the following inference.
Donna and Tad were not Cujo's first victoms. 

• The dog's eyes settled on hers. They were red and rheumy. They were leaking some viscous substance. 
• Donna stared at him, feeling her breath come to a painless and yet complete stop in her throat. It was the same dog.
• The dog seemed to be weeping gummy tears. His tawny coat was caked and matted with mud and— Blood. 
• I'll never be able to get that door open and get in and get it shut, she thought, and the choking realization that she might be about to die rose up in her. Not enough time. No way .

Tags

CCSS.RI.7.1

CCSS.RI.8.1

CCSS.RL.7.1

CCSS.RL.7.2

CCSS.RL.8.1

Which sentence or phrase from the passage best supports the following inference.
Donna had met Cujo once before.

• The dog's eyes settled on hers. They were red and rheumy. They were leaking some viscous substance. 
• Donna stared at him, feeling her breath come to a painless and yet complete stop in her throat. It was the same dog.
• The dog seemed to be weeping gummy tears. His tawny coat was caked and matted with mud and— Blood. 
• I 'll never be able to get that door open and get in and get it shut, she thought, and the choking realization that she might be about to die rose up in her. Not enough time. No way .

Tags

CCSS.RI.7.1

CCSS.RI.8.1

CCSS.RL.7.1

CCSS.RL.7.2

CCSS.RL.8.1

Which sentence or phrase from the passage best supports the following inference.
Cujo may be sick. 

• The dog's eyes settled on hers. They were red and rheumy. They were leaking some viscous substance. 
• Donna stared at him, feeling her breath come to a painless and yet complete stop in her throat. It was the same dog.
• He never stopped growling. It was a low, purring sound, soothing in its menace. 
• I'll never be able to get that door open and get in and get it shut, she thought, and the choking realization that she might be about to die rose up in her. Not enough time. No way .

Tags

CCSS.RL.11-12.4

CCSS.RL.6.4

CCSS.RL.7.4

CCSS.RL.8.4

CCSS.RL.9-10.4

What is the correct order for the following events?
1. Donna rolls the window up completely.
2.Cujo walks out of the garage.
3. Donna escapes into the car.
4. Tad screamed for the first time.

• 2, 4, 3, 1
• 2, 3, 1, 4
• 4, 2, 1, 3
• 2, 3,  4, 1

Tags

CCSS.RL.11-12.3

CCSS.RL.7.3

CCSS.RL.8.3

CCSS.RL.9-10.3

CCSS.RL.9-10.5

What is the definition of infernece.

• A life lesson that is based on a topic from a story.
• Logical guesses about what is not directly, or explicitly, stated by the author
• The intention of the writer.
• a life issue that is usually connected to the problem in a story.

Tags

CCSS.RI.8.1

CCSS.RI.9-10.1

CCSS.RL.7.1

CCSS.RL.8.1

CCSS.RL.9-10.1