Mozart's Clarinet Concerto: Section A, B, C or coda?

Front

Modulation to F# minor

Back

C

Front

Hemiola

Back

A1

Front

Pause bars

Back

C

Front

Smoother, more lyrical melody with longer note values

Back

C

Front

Two final tonic chords heard

Back

Coda

Front

Frequent use of complex chords (e.g. augmented 6th)

Back

B

Front

Ascending sequence in violins

Back

A

Front

Tonic pedal in violins, cellos, and double basses

Back

B